Friday, February 13, 2015


Not too long ago, The school of L.C.I hosted an open-house event named "Amazing Inside" to show off the amazing things we do at L.C.I. Luckily, I was able to take part in this event and show the public what a Year 1 "CyberARTist" can do with only knowledge of the first course of CyberARTS. Later in 2014, i've discovered a Photoshopeffect of any style of dispersion. I've always wondered how these effect are made, but it turn out it's the most simplest Photoshop manipulation, and 4-year old can do it!

All this dispersion effect consists of are: custom paint brushes, use of masks, and imagination. I began to quickly select the main subject and save his selection. I duplicated the selection, then shifted the duplicate slightly to the right. I then loaded a custom brush set from downloading it online. In the picture above, i've used a smoke paintbrush. From here, I created a layer mask on both subjects, the duplicated and original. I inverted the duplicate's layer mask to hide it, then began to have fun.

By painting black on the layer mask  of the main subject with the smoke brush, i was able to creatively "smoke" away his face. Now, I painted white on the duplicated subject and gave the illusion of the subject's face being smoked away.

Click here to watch a tutorial on this effect. 

Weekly Blog Post #1 - Dispersion Effect

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Friday, February 6, 2015


Today, the CyberARTS students of year 2 has assigned a fun activity for a refresher on photoshop. Our assignment is to photoshop the monthly model from the "Mercer Challenge". This month's model is the canadian prime minister, Steven Harper. I've decided to take the "meme" expression of Jackie Chan and to photoshop Harper's face onto Jackie's. Our assignment also needed to include any form of text to our peice.

I started by quick selection tool to accurately capture the head of Harper's face and refining the edges such as parts of his hair. I then copied over the selection of Harper's head and transferred it over to the picture of Jackie. I resized the portions of Harper'shead to match Jakie's. Now I then create a mask on Harpers's head and used the softest round brush and painted black on the unwanted parts, resulting in Harper's face to fit perfectly. From here, I started use adjustment layers such as: hue and saturation and levels. By using these adjustment layers, I was able to match the skim to e of Harper's face to Jackie's to make ot look as of Harper's face truly did match Jackie's. Lastly I madd a few finishing touches by zooming in and observing any flaws and simply redoing the steps stated previously.

Mercer Challenge

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Sunday, January 26, 2014



The story behind this piece is based on the mental disability  of being “bipolar”. I wanted to express this by have two of the same faces become completely different from each other. The face to the right has a “blue” expression on his face, communicating a sad expression on his face. The left face you see is a devilish-like minded with a evil smirk on his face. Lastly the large brick wall which has been spray painted “Mind the Gap”. Being bipolar means having a pair of personalities in one head. Most of the time, one of the personalities have a bad mood swing that could change within a matter of seconds. One moment, you may see this person as a polite, caring, loving person, but within seconds, they can become completely demonic.
By saying mind the gap, you are ignoring the large gap between the two objects and allowing them to pass through each other. Which is like having two completely different personalities cross back and forth to each other. That is what this mystery meaning of “Mind the Gap” is.
My original concept was also completely different from the final piece. My original concept was to create a scene of me in the city overviewing it. As idea moved to another one, it ended up becoming something bipolar. I was happy with the idea, so I began to begin working.
I started by taking a few pictures of myself with a sad, and crazy expression. After that, I uploaded the best looking one to photoshop and started editing. Now from here, things got interesting. I was originally just going to mask the whole face red and blue, but I was literally playing around in photoshop and accidentally came across a nice looking effect through “colour range selection”. This effect only left an accurate outline of my overall face and hair, then faded out the rest. This faded effect gave the piece the feeling of being “faded” away into your own self.
Another accident I encountered was with colour masking. When selected the face through colour range and edited it with a mask, the colour only showed up on the face, not the hair. This gave the expression of his face a much better feeling with the colour. For example, the red colour gave the feeling of a hot headed, angry expression.
The next step was figuring out a background. The original idea was a dark to light gradient background of black and white. I then noticed that I need a minimum of 3 pictures in my surrealist piece. I searched up a few free stock photos on flickr for gradient, but found none that would fit this piece. I typed in random words that came to mind for the background like: clouds, street, road, space, etc. Then I just typed in the word “mind”. For mind, all I could find were a bunch of signs saying “mind the gap”. From then, the idea struck me of using that as my background and slogan.
I added a brick wall with that title, and matched perfectly. I feel every project i complete, I increase my creativity, but this particular project raised my creativity greatly. I never thought would be able to create such a simple art piece with great meaning and purpose. I am much satisfied with the result I came up with, and i’m excited to see if i’ll ever create something better than this. I chose this final edit out of 6 different edits. Choosing this one as the end result satisfies me well.


Attribution: http://www.flickr.com/photos/phalissssss/43584733/sizes/l/

Mind the Gap (Surrealism Project)

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My first attempt on photoshop, comment on what you think!

Original:
 Edit:


Original:
 Edit:


Photoshop Practice

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   UrangSundaJimmy and I, was assigned a stop-motion project about a "Loyal Community". Our original idea was to create a group of Hockey fans attending a match in hockey arena from another community.  As this group enters the arena, they are criticized why they've come to an arena that does not belong to them. They argue for a while, then both communities agree just to enjoy the game together. Unfortunately, I was not able to obtain the original video, but Jimmy was able to upload the OFFICIAL video "Loyalty of the Fans". (Click here to watch the OFFICIAL video). If you find that video lacks video quality, here's a previous edit of that video (Blues & Reds).
Once you've watched that, you can also watch this unfinished flash storyboard of the stop-motion animation. (Or just watch this one first...)

Loyalty of the Fans (Stop-Motion video)

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Wednesday, January 22, 2014

Hieronymus Bosch (Surrealist Artist)

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Friday, December 13, 2013

                                       Green Bar


Artist:                Susan Rothenberg (American, Born 1945)

Date:                 2008                                                      

Medium:           Oil on canvas                                      

Dimensions:     88 x 66" (223.5 x 167.6 cm)              

  My first impression about this painting was very surprising. I wasn't actually trying to feel the emotions that went through this painting, but I was surprised of how simple and strong this painting was. It shows 2 pairs of handicapped legs and a arm. The first pair of legs set in the middle of this piece shows tire marks at the top as if it had been run over by a car. You can also see two hands at the top-right corner trying to assemble these parts back together. I also noticed that there are a lot of negative space throughout this painting. This could represent that there aren't many people who are disabled, considering there are only two pairs of legs.

                           Bitches Brew     

                         

Artist:                Jutta Koether (German, Born 1958)

Date:                
2010                                           

Medium:            Synthetic polymer paint on canvas, applied materials, and liquid glass

Dimensions:       36 x 44" (91.4 x 111.8 cm)      
   
   This painting also had a great impression but took me a few seconds to understand it. This painting shows a cup, or pot-like object holding a series of make-up products and girl necessities. This painting exaggerates a cluttered, messy feel of make-up, and other beauty products. I saw this as woman's face made up of useless make-up. Despite the painting's name, this piece delivers a great message.

                         Presentation


Artist:                Dana Schutz (American, born 1976)

          

Date:                 2005                                           



Medium:            Oil on canvas                           



Dimensions:       10 x 14' (304.8 x 426.7 cm) 

  The scene of this painting that expresses is a badly injured man being watched by a series of people. What first came to mind was how in medieval times, a criminal would be publicly executed for a crime. The injured man in this painting seems embarrassed having his weak body shown in front of many people. I felt as sorry for this man, but I also curious of why these people would decide to see this man in pain.

Narrative Art (MOMA)

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Thursday, November 28, 2013

1.) Timing

     Timing for each frame in a animation is crucial to create a sense of movement. This all depends on what type of speed you would like your scene to be. If you needed a super slow-motion matrix scene, you would want to create several drawings to create multiple frames. If you would want to create a fast paced action scene, you wouldn't create as many drawings. Try to compare the speed of movement in reality to match in a animation. Most animations are done in twos (each drawing is duplicated to create 2 frames). Most animations are also done in 12 fps (12 frames per second), but there are many other artists who create their frames in ones (individual drawings for each frame), and creates animations in 24-60 fps!

2.) Solid Drawing

     A solid drawing can be created by giving your animation life. Solid drawing wouldn't be a 2-D drawing. Solid drawings are 3-D or 4-D drawings created from the space they are placed in. 3-D meaning having a 3 dimensional illusion creating depth into a animation. 4-D means crating a animation that works with the whole environment in the animation.

3.) Appeal

     In order for an animation to look interesting, the theme, characters, objects, etc, must look "appealing". A good way to make your animation to look appealing is to creating a interesting story with great animations to match. Uniqueness can also bring a viewer interested into watching your animation. 

4.) Exaggeration

     Exaggeration focuses on the expressionism of animations. Exaggeration distorts them expressions of Instead of showing the mood of someone with a happy expression, it wouldn't just be a smile on their face. The environment around them may show bright colours to show happiness as well. Exaggeration are also very "overly exaggerated". Here is a video of Exaggeration: 

4 of 12 Principles of Animation

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Wednesday, November 20, 2013

      This contraption is called the "Phenakistoscope". It was made by physicist "Joseph Plateau". Joseph and his sons showed this invention in 1832. This creates an illusion of motion by using a "persistence of motion principle". This principle was already known by a Greek mathematician named Euclid and Isaac Newton. This principle was only truly known when Joseph Plateau introduced this invention.
        The phenakistoscope works by having two discs placed on one axis. One disc has slots around the edge, and the other has a series of drawings placed in a circular formation. These two discs both spin in the same direction.

Optical Devices - Phenakistoscope

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This video shows how to create a simple stop motion animation at home. He shows what types of equipment you will need to create a stop motion animation such as: a camera, prop, storyline, editing software, etc. I learned that you would only need 12 frames (pictures) to create one second. You may use 30 frames to create one second, which would take much longer, but come out smoother. He also talks about the difference of fast motions and slow motions. If an object is moving rapidly fast, you would want to constantly move that object more for each frame. If you want an object moving slowly, you shouldn't move that object too much in each frame.

How to create "Stop Motion" animation

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